Common Ground: An exhibition in Folkestone
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The Laurent Delaye Gallery is delighted to present
a new exhibition in Folkestone celebrating its longstanding
collaboration with artists and their practice.
PRIVATE VIEW: SATURDAY 29 MARCH, 2-6 PM
GALLERY 66
66 The Old High St , Folkestone, Kent CT20 1RN
Please note: new works will be added to these pages over the next few days
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Jason OddyMagnolia Prophylactorium, Odesa, 1999C-Print73 x 69 cm; 28 3/4 x 27 3/16 in
with frame 77 x 73 cm; 30 5/16 x 28 3/4 in -
urban
Fabio Almeida and Jason OddyOn the subject of parallels and relationships, the sinuous and stimulating cross-fertilisation between these very different works shown together is endless. Here are a few examples:
The photographs of Jason Oddy, who has been extensively investigating in his work the remnants of modernism in the decay of time, stand in dialogue with Fabio Almeida’s layered paintings of abstract built-up structures in allusions to the ghost heritage of a modernist past. Hence Oddy’s post-soviet Ukrainian sanatorium or the leftovers of Oscar Niemeyer architecture in Algeria, seen in parallel with the impressive vertical horizons of Almeida’s urban landscapes.
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photogram
Kate Beaugié and Cathy RogersPhotography is not always produced by clicking the shutter button, it can be even more elemental – like it was for some of the 19C. pioneers, manipulating the sensitive paper with bare hands, and the result more haphazard.
In this exhibition, two artists experiment in very different ways with light-absorbing material, Kate Beaugié lets light bounce on golden plated cubes in sharp shadows of non-exposure, Cathy Rogers makes direct photograms of plants on 36 mm strips of films, and both achieve completely unique configurations made from light. -
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Kate BeaugiéShadow of Four Cubes | Glimpse, 2019Digitally enlarged photogram, limited edition Giclée print, Hahnemühle photo rag, mounted onto Diasec and then mounted under acrylic118.9 x 43 cm
46 13/16 x 16 15/16 inView more details -
Cathy RogersStipa Gigantea II, 202416 mm black and white photogram, LED framed lightbox60 x 60 cm
23 5/8 x 23 5/8 inView more details -
Cathy RogersMiscanthus, 2022Photogram, black and white 16mm film, LED light panel30 x 30 cm
11 13/16 x 11 13/16 inView more details
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geometry
Justin Hibbs, Katrina Blannin, Caroline List, Rosalind DavisPlayful linear and three-dimensional self-standing geometrical structures
are offered for direct contemplation in the works of Justin Hibbs, Katrina Blannin, Caroline List and Rosalind Davis. The physical quality of the medium highlights the presence of poetic arithmetic. All aspects of perception are at play, from chromatic response to light reflection and absorption through degrees of saturation. Essentially the artists work with inner and outer reception: what we see and what is at work cognitively, on a subliminal level, when we observe in our senses a particular structure. -
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Justin HibbsInterval Interference IV, 2016Acrylic and Enamel on Linen100 x 70 cm
39 3/8 x 27 9/16 inView more details -
Katrina BlanninMaximilian #96, 2018Ink on Fabriano Rosaspina Ivoire monotype70 x 70 cm
27 1/2 x 27 1/2 inView more details -
Caroline ListShape Frequency (Green), 2024Oil and Acrylic on paper mounted on panel65.5 x 45.5 cm
25 13/16 x 17 15/16 inView more details -
Katrina BlanninDomenica #5c, 2022Ink on Fabriano Rosaspina Ivoire monotype35 x 35 cm
13 3/4 x 13 3/4 inView more details -
Rosalind DavisStrangeLands, 2017Oil and thread on linen100 x 100 cm
39 3/8 x 39 3/8 inView more details -
Katrina BlanninMaximilian #68, 2018Ink on Fabriano Rosaspina Ivoire monotype35 x 35 cm
13 3/4 x 13 3/4 inView more details -
Caroline ListChroma Shape Blue Light, 2023Acrylic & Oil on Belgium linen80 x 60 cm
31 1/2 x 23 5/8 inView more details -
Katrina BlanninDomenica #32, 2022Ink on Fabriano Rosaspina Ivoire monotype50 x 50 cm
19 11/16 x 19 11/16 inView more details -
Justin HibbsDis_United States IImonotype on Antique ledger paper mounted on plywood in a perspex cover32 x 38 cm
12 5/8 x 15 inView more details -
Katrina BlanninDomenica #20, 2022Ink on Fabriano Rosaspina Ivoire monotype35 x 35 cm
13 3/4 x 13 3/4 inView more details -
Justin HibbsDis_United States IIImonotype on Antique ledger paper mounted on plywood in a perspex cover frame39 x 26.7 cm
15 3/8 x 10 1/2 inView more details
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curve
Fiona de Bulat and Anna SilvertonAffinities are present in the pursuit of form that reach the purest of lines.
Anna Silverton elaborates the hardest to achieve ultimate simplicity with porcelain, gravity defying lightness and optimum harmony in the lines of a curvature. Fiona de Bulat is looking for the same clarity on paper in lithographs and screenprints, where recognisable elements from nature become the source of intemporal compositions. -
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Anna SilvertonPorcelain vase, 2023Porcelain with Bright Yellow Smooth Matt glaze26 x 19 cm
10 1/4 x 7 1/2 inView more details -
Anna SilvertonPorcelain Vase, 2023Porcelain with Bright Orange Glaze53.5 x 13.5 cm
21 1/16 x 5 5/16 inView more details -
Fiona de BulatBlue Figure in Red, 2022Offset Lithograph57 x 76 cm
22 7/16 x 29 15/16 inView more details -
Anna SilvertonPorcelain Vase - Coastal Graduation Blues and Greens, 2024Porcelain55 x 13 cm
21 5/8 x 5 1/8 inView more details -
Fiona de BulatCereus, 2023Offset Lithograph
Unique54 x 75 cm
21 1/4 x 29 1/2 inView more details -
Anna SilvertonPorcelain Vase - Vulcan Burgundy with banded detail, 2024Porcelain20 x 17 cm
7 7/8 x 6 11/16 inView more details -
Anna SilvertonPorcelain Vase Orange, 2024Porcelain22 x 15.5 cm
8 11/16 x 6 1/8 inView more details -
Fiona de BulatSecret Garden 2, 2020Woodcut with chine colle
Unique45 x 35 cm
17 3/4 x 13 3/4 inView more details
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arrested motions
Bérénice Mayaux, Michael Stubbs, Jessica VoorsangerThe exploration of abstract forms can take opposite directions and yet have in-depth similarities. They all share a rigorous pursuit of the fulfilment of forms, a readiness to break rules, and compositions in arrested motions.
Bérénice Mayaux, as part of her visual vocabulary, has astrophysics in mind, and the forces at play on a cosmological and molecular level, in curved spacetime and atomic fusion. Michael Stubbs evolves in an enhanced graphic world, where flat elements are superposed in complex alignments overriding and informing each other. Jessica Voorsanger uses found textiles to elaborate compositions that first play on the abstract quality of the material itself before bringing multiple samples to a configuration of rhythms and colours. -
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Bérénice MayauxVariation 4, 2022Acrylic on canvas60 x 60 cm
23 5/8 x 23 5/8 inView more details -
Michael StubbsFresh Info Connect, 2019household paint, tinted floor varnish on MDF62 x 62 cm
24 7/16 x 24 7/16 inView more details -
Jessica VoorsangerJoan Baez, Ingrid Bergman and Friends, 2016Oil on vintage fabrics, collaged images31 x 31 cm
12 3/16 x 12 3/16 inView more details
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figure
Paul Atkins and Drew EdwardsThe misleading duality abstract/figurative is one of the curses that afflict the appreciation of art, as if it was an obvious either/or. In this show, two practitioners are here to contradict this spurious assumption.
Paul Atkins draws imaginary beings, but these are more like phantasmic spirits revealed from his (or our) mind than images of living creatures, much as a hardened abstractionist would let them emerge. Drew Edwards carves in uncarvable boulders of flint to bring forth evocations of life. He submits himself to the constraints of this mysterious stone that was once liquid, then turned into the hardest yet most brittle of materials. His pursuit is the figure that emerge from alien laws of nature. -
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Paul AtkinsHeads in a Blue and Green Landscape, 2019Screen-print53 x 44 cm
20 7/8 x 17 5/16 inView more details -
Drew EdwardsMiracle, 2019Flint77 x 54 x 32 cm
30 5/16 x 21 1/4 x 12 5/8 inView more details -
Paul AtkinsFloating Figure in a Summer Sky, 2021Monotype29.7 x 41 cm
11 11/16 x 16 1/8 in
with frame 47 x 57.5 cm
18 1/2 x 22 5/8 inView more details -
Drew EdwardsAlter, 2018Flint44 x 50 x 37 cm
17 5/16 x 19 11/16 x 14 9/16 inView more details -
Paul AtkinsTwo Tumble Driers, 2006Screenprint50 x 70 cm
19 11/16 x 27 9/16 inView more details
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magic
Bob and Roberta SmithThe exhibition concludes with Bob and Roberta Smith, an artist well versed in visual poetry, outsider art, public art, storytelling and performance, whose work conducts all these different registers like a magician enthralling his audience, with irony, political wit and a firework of colours. A quite logical conclusion to it all.