Trans_Formations I: Ramsgate
The exhibition Trans_Formations I marks the opening of the program of the gallery in its new home in Ramsgate.
The gallery aims to create a curatorial space in constant motion, a seamless flux of art reclaiming the bay windowed open space known in Ramsgate as the Vinyl Head Gallery. There will be a succession of interweaving displays, crossovers, and experiments in the confines of the gallery, while a series of spotlights on artists and their practices will be published on a regular basis on our online gallery platform.
While many disciplines are represented throughout the program, the gallery also focuses on artists’ designs, namely, design issued and derived from the practice of fine art. Artists will at certain times exhibit functional objects produced in parallel with their corpus of works. The other and perhaps ultimate aim of the gallery is to offer greater access to excellent artworks by including a wider public of true art fans. In close collaboration with the artists, we produce high quality limited editions which allow affordable prices for iconic works.
Trans_Formations refers to the process of art in many of its manifestations. Steven Geddes in porcelain and Duncan Cheetham in stoneware, have turned, shaped, and glazed sculptural and functional forms before exposing clay to extreme high temperature. Claire Pestaille has made collages by destroying the source image and repositioning it into another. From the combined result they are then turned into high-quality larger high tech pigment inkjets images, as with Stephen Brandes from painted gouaches on a 1950’s French office paper, and Michael Stubbs from abstract collages compositions. The word ‘print’ also applies to a quite different practice and can be an unrepeatable process as Katrina Blannin with her handmade ink monotypes. Whilst Bérénice Mayaux and Richard Caldicott link the theme together with paint and mixed media on paper.
As far as time goes, all these techniques have been practiced for thousands of years, and yet none of these forms would have existed before. As we are approaching the most transformative of futures (for better or for worst), and coming out of a pandemic that has re-established some stark reminder of human history, Trans_Formations I is not only about process, but about ways of living. Although all the artists represented have an active international career, the aim of the new gallery in Ramsgate is to focus on how possible it is to simultaneously be international and local, how capital cities are not the only centre since the centre is everywhere, and since interconnectivity is our future.
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Claire PestailleStrawberry Mansion, 2021Pigment Inkjet Print on 308 gsm Natural Soft White Cotton Rag Archival PaperImage size 50 x 39 cm; 19 3/4 x 15 3/8 in
Paper size 60 x 49 cm; 23 5/8 x 19 1/4 in -
Stephen BrandesPug, 2021Pigment Inkjet on 308 gsm Natural Soft White Cotton Rag Archival PaperImage 59 x 42 cm; 23 1/4 x 16 1/2 in
Paper size 69 x 52 cm; 27 1/8 x 20 1/2 in -
Katrina Blannin, Maximilian #39, 2018
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Duncan Cheetham, Saki cups, 2021
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Claire PestailleSamsara, 2021Pigment Inkjet Print on 308 gsm Natural Soft White Cotton Rag Archival PaperImage size 50 x 39 cm; 19 3/4 x 15 3/8 in
Paper size 60 x 49 cm; 23 5/8 x 19 1/4 in -
Steven GeddesThinking of CornwallPorcelain, Glaze bone ash, barium, manganese40.5 x 14.5 cm
16 x 5 3/4 in -
Stephen BrandesErmenonville Party Hat 2020, 2021Pigment Inkjet on 308 gsm Natural Soft White Cotton Rag Archival PaperImage size 32.5 x 45 cm; 12 3/4 x 17 3/4 in
Paper size 42.5 x 55 cm; 16 3/4 x 21 5/8 in -
Duncan Cheetham, windowpane bottle, 2021
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Stephen BrandesWest Lothian Bings, 2021Pigment Inkjet on 308 gsm Natural Soft White Cotton Rag Archival PaperImage size 45 x 32.5 cm; 17 3/4 x 12 3/4 in
Paper size 55 x 42.5 cm; 21 5/8 x 16 3/4 in -
Steven GeddesBamboo BlackPorcelain tube vessel45.5 x 8 cm
17 7/8 x 3 1/8 in -
Claire PestailleMarilyn, 2021Pigment Inkjet Print on 308 gsm Natural Soft White Cotton Rag Archival PaperImage size 60 x 43.5 cm; 23 5/8 x 17 1/8 in
Paper size 70 x 53.5 cm; 27 1/2 x 21 1/8 in -
Steven GeddesUntitledPorcelain, manganese lined glaze with barium17.5 x 11.5 cm
6 7/8 x 4 1/2 in -
Katrina Blannin, Piero #122, 2016
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Bérénice Mayaux, Untitled, 2019
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Richard CaldicottUntitled, 2011mixed media on paper29.7 x 21 cm
11 11/16 x 8 1/4 in -
Michael StubbsUntitled, 2020Pigment Inkjet on 308 gsm Natural Soft White Cotton Rag Archival Paper75 x 52.5 cm
29 1/2 x 20 5/8 in -
Duncan Cheetham, black and white bottle , 2021
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Katrina Blannin, Maximilian Blue # 94, 2018
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Duncan Cheetham, red check bottle , 2021
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Steven GeddesCherry BlossomLarge porcelain vessel with black and red sketch. Lithium Glaze42 x 11 cm
16 1/2 x 4 3/8 in -
Steven Geddes, Cherry Blossom
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Steven GeddesCherry Blossomporcelain ball bowls with black and red sketch. Lithium Glaze10 x 12 cm
4 x 4 3/4 in -
Claire PestailleJardin des Poètes, 2021Archival Inkjet printImage size 50 x 31.3 cm; 19 3/4 x 12 3/8 in
Paper size 64 x 45.3 cm; 25 1/4 x 17 7/8 in -
Steven Geddes, Cherry Blossom
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Steven GeddesUntitledPorcelain, copper green37.5 x 11.5 cm
14 3/4 x 4 1/2 in -
Steven Geddes, Ocean
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Duncan Cheetham, diagonal stripe bottle, 2021
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Duncan Cheetham, herringbone pot, 2021
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Duncan Cheetham, large beaker , 2021
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Duncan Cheetham, ribbon stripe pot , 2021
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Duncan Cheetham, large mat black pot, 2021
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Duncan Cheetham, large white speckled bottle , 2021
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Duncan Cheetham, mat black small bottle, 2021
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Duncan Cheetham, orrange saki bottle, 2021
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Duncan Cheetham, peach saki bottle , 2021
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Duncan Cheetham, pink bottle , 2021
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Duncan Cheetham, cut stripe pot , 2021
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Duncan Cheetham, small white speckled bottle, 2021
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Duncan Cheetham, stripe rim pot, 2021